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Adam Seelig
Adam Seelig (born 1975) is a Canadian and American poet, playwright, director and Artistic Director of One Little Goat Theatre Company in Toronto.〔(''Poetry Foundation'' and ''Poetry Magazine'', Vol.92 No.4, Chicago, July 2008, pp.428-9 )〕
== Theatre ==
Seelig founded One Little Goat Theatre Company in New York and Toronto in the early 2000's.〔Martin Morrow, ("''The Charge of the Expormidable Moose'': A terrific introduction to an unjustly neglected work," ) ''Globe and Mail'', 13 May 2013.〕〔Omar Mosleh, (Scripts Some Poetic Justice," ) ''Town Crier'', 13 Oct 2011.〕 With the company, he has directed dramatic works by poet-playwrights Yehuda Amichai,〔("Killing Him: A Radio Play" by Yehuda Amichai, ) ''Poetry Foundation'', Summer 2008.〕 Thomas Bernhard,〔Adam Kirsch, ("The Darkest Comedian," ) ''The New York Review of Books'', 10 Feb 2011.〕 Jon Fosse,〔Christopher Hoile, ("Review of ''Someone is Going to Come''," ) ''Stage Door'', 17 March 2009. Web. Accessed 23 Oct 2015.〕 Claude Gauvreau,〔 Luigi Pirandello,〔J. Kelly Nestruck, ("One Character in Search of an Identity," ) ''Globe and Mail'', 31 Oct 2011.〕 as well as his own plays, which include reinterpretations of classic material.〔Dongshin Chang, ("Democracy at War: Antigone:Insurgency in Toronto," ) (''Antigone on the Contemporary World Stage'' ), edited by Erin Mee Helene Foley. Oxford University Press, 2011. Pages 267–285. Cf. Marianne Apostolides, "A Review of ''Antigone:Insurgency'', ''Canadian Theatre Review'', Issue 137, University of Toronto Press, Winter 2009. Also Cf. Jon Kaplan, ("Timely Tragedy," ) ''NOW Magazine'', November 15, 2007.〕〔Jon Kaplan, ("Mythic Masks," ) ''NOW Magazine'', 18 Nov 2009. Cf. Brian Joseph Davis, "Review of ''Talking Masks''," Eye Weekly, August 26, 2009. "Riffing on Sophocles’ biggest hit, Seelig’s new book Talking Masks (subtitled “Oedipussy”) uses strident debate and bawdy humour to take on the idea of character. His source material is classical and his formal concerns are dyed-in-the-wool modernism, but his swagger is old-fashioned postmodern."〕
Seelig stages "poetic theatre."〔("Adam Seelig: Ritter, Dene, Voss - an nytheatre.com interview," ) ''nytheatre.com'', September 22, 2010. Web. Accessed October 23, 2015.〕〔J. Kelly Nestruck, ("She, He and the Man make for a Seussian tale," ) ''Globe and Mail'', 16 March 2009.〕 This involves "charactor" (combining an actor’s onstage persona with their offstage nature), the "prism/gap" (between actor and audience), and ambiguity.〔("EMERGE''N''SEE: GET HEAD OUT OF ASS: 'Charactor' and Poetic Theatre," ) ''The Capilano Review'', “Poets Theatre” issue, Spring 2010, pp.32-52. Complete (essay online ).〕〔''Talking Masks (Oedipussy): A Play'' by Adam Seelig. Toronto: BookThug, 2009. (Google Books page. )〕〔Valerie Johnson, ("Histrionic Perversity: The work of Austrian Thomas Bernhard finally comes to Chicago," ) ''Newcity Chicago'', 6 Dec 2007.〕 His direction "avoids naturalism."〔Rachel Saltz, ("Three Irritable Siblings, Ready to Pounce," ) ''New York Times'', 1 Oct 2010. Also characterized as "idiosyncratically avant-garde" by J. Kelly Nestruck, "The Rob Ford Musicals," (''Globe and Mail'', 19 Sep 2014. )〕
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